AWARD WINNING SOUTHERN CULTURE AND
FOLK HERITAGE DOCUMENTARIES

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NEW RELEASES
> "BURGOO!
Legendary Stew of the South"
(1 hr PBS version)


"BURGOO!
A Southern Tradition"
(2 hr Original version)

THE WORKS


> BURGOO! New Release!
> BRUNSWICK STEW
(Virginia Tradition)
> BRUNSWICK STEW
(Georgia Tradition)
> BARBECUE and HOMECOOKING
> CAROLINA HASH:
A Taste of South Carolina
> COOPERATIVE GROCERY
> ERHARDT FIVE & DIME
> IT’S GRITS!
> HALLOWED GROUND:
Primitive Camp meetings
of the SC Low Country
> LORD HAVE MERCY!
OLGERS’ STORE
> ROCKFISH MUDDLE
> SEEING INTO BEING:
The Scrap Iron Art of
Charlie Grimsley
> SOUTHERN ROUTES
(Five Volumes)
> SOUTHERN STEWS COLLECTION (Seven Volumes)
> SOUTHERN STEWS:
A Taste of the South
> STEWBILEE: A Brunswick
Stew Folk Heritage Festival
> THE MORRIS CHRONICLE
> THE OLGERS CHRONICLE
> THE SHEEP STEW OF DUNDAS
> WE JUST CALL IT “CUSH”

NEW RELEASE

MAC ARNOLD: Nothing to Prove , the documentary that follows bluesman, Mac Arnold

from the farm he tends back to the blues he left many years ago ... when he brought his unique

bass blues lick - which grew out of the mixture of SC Piedmont gospel, R&B, & country music and

the strings of a homemade gascan guitar - to the Muddy Waters Chicago Blues band in 1967, and

to work with legendary musicians John Lee Hooker, Tyrone Davis and the James Cotton Band.

                                   - A film by Stan Woodward

          DVD's of this Southern Blues Roots Folk Heritage Documentary are sold on this website


This is the final folklife documentary production by Stan Woodward.

It involves the capture of 170 hours of footage over a four-year period starting in 2005 and travels the viewer from Mac’s decision to return to the blues (after a 32 year hiatus from his remarkable stint as bass player for the Muddy Waters Chicago Blues Band in the 1960's) to the realization of Mac's dream to reunite the remaining Muddy Waters musicians who played with Muddy's band in Chicago at his own hometown blues festival, inaugurated in 2007 and called the Mac Arnold Cornbread and Collards Blues Festival. The first annual festival is captured in a 5-camera pro-

duction that was held over a weekend in April in Greenville, SC.

Along the way we weave through the fabric of the 21st century blues culture following Mac Arnold as he finds his way back into the blues world where he is the last surviving member of the 1966-'67 Muddy Waters Chicago blues band.

NOTHING TO PROVE
Mac Arnold Returns to the Blues

This MAC ARNOLD & PLATE FULL O' BLUES  documentary tells a story of one of Muddy Water's "side-men" - Mac Arnold - who played bass for Muddy in the 1960's.

We follow Mac as he introduces his first CD, and formally begins the unexpected route which returned

him to the blues mainstream.

This hand-held camera, "first-

person" film journey travels us

deep into the 21st century blues world, and along the way we see

Mac re-establish himself with legendary bluesmen, providing a

rare inside look at how Mac lives

out the role of a roots musician dedicated to reviving interest in the authentic down home "talking"

blues - a historically Southern

music form that has been lost in

the big-market hip-hop, rap, and

R&B music... from which all were derived.

Made possible by the Community Foundation of Greenville & grants from the South Carolina Arts Commission and the Humanities Council of South Carolina ... and "Friends of Mac Arnold"

 


THIS IS THE FILMMAKER'S FINAL DOCUMENTERY THAT ENDS A LONG CAREER OF DOCUMENTARY WORK WITH HIS SIGNATURE HAND-HELD CAMERA STYLE THAT MADE POSSIBLE HIS "VOX POPULI" (" of the people") WAY OF STORYTELLING. WITH WORKS THAT ARE DISTINCTIVE WITH RESPECT TO CAPTURING A "FADING FEAST", AS SOKOLOV CALLS IT IN HIS BOOK BY THE SAME NAME, WE ARE BENEFITTED BY STAN WOODWARD'S CAPTURE

AND PRESERVATION OF FOLK HERITAGE COMMUNAL COOKING TRADITIONS WITH ANCESTRAL TIES THAT ARE

MAINTAINED BY "KEEPERS" - AND ARE SUCCOMBING TO A DIGITAL GENERATION WITH A NEWFOUND PRE-OCCUPATION WITH THINGS THAT RENDER THESE TRADITIONS VERY MUCH A THING OF THE PAST, AS THEY LINGER IN THE PRESENT. A MILD STROKE RESULTED IN STAN WOODWARD'S DEVELOPING AN UNSTEADY

HAND IN HIS HANDHELD CAMERA WORK AND OTHER WEAKNESSES THAT CAUSED HIM TO END HIS FILMMAKING.